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Rancière, J. (Spring 2022). Does Communist Art Exist? Trans. Matthew Scully, Nell Wasserstrom, and Carolyn Shread. Critical Inquiry, 48(3), 459-474.

Mbembe, A. & Shread, C. (trans.) (2021) Notes on Late Eurocentrism, Critical Inquiry In the Moment. (2021, July 1). Retrieved from

Shread, C.  (2021) Response by Shread to “Representing experiential knowledge”, Translation Studies, 14(1), 104-108, DOI: 10.1080/14781700.2020.1850333

Shread, C. (2020, August 6). "Taking the Risk To Translate as Our Intelligence Morphs." Columbia University Press Blog. Retrieved from: 

Ergun, E., Shread, C. et al.. (2020). Women (Re)Writing Authority: A Roundtable Discussion on Feminist Translation. In Translation, Feminism and Gender (pp. 1-30). London, UK: Routledge.

Mbembe, A. & Shread, C. (trans.) (2020) . (2020, April 13).

Singer, K. (2025). Shelley's Sexless Sexuality. In R. Wilson (Ed.) _Percy Shelley in Context (pp. 158-164). Cambridge University Press. 

Singer, Kate. (2023). “From It’s the End of the World as We Know it and I Feel Queer: Mary Shelley, Queer Affect, and Shapeshifting Through The Last Man.” In Chris Washington, Editor, The Last Man: A Norton Critical Edition. W. W. Norton.

Singer, K. (2022). “Shapeshifting Romantic Consciousness." In Richard Sha and Joel Faflak (Eds.), Romanticism and Consciousness, Revisited (pp. 311-338). Edinburgh University Press.

Singer, K. (2019). Romantic Vacancy: The Poetics of Gender, Affect, and Radical Speculation. SUNY Press: Albany, NY.