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Mitchell, C. (2021). . Business and Politics, 1-17.

Mitchell, C. (2020). United We Stand: Gruppenwettbewerb and European Banking Union. German Politics, 1–17. 

Mitchell, C. (2020). United We Stand: Gruppenwettbewerb and European Banking Union. German Politics, 1–17. 

Mitchell, S. (2020). Fault-Tracing: Against Quine-Duhem. A defense of the objectivity of scientific justification. Berlin/Boston Walter de Gruyter GmbH.
De Gruyter:

Monahin, N. (2024) “Negotiating Text and Movement: Some Challenges in Staging Dance in Shakespeare’s Plays.” In The Ball: Pleasure, Power, Politics, 1600–1900. 5th Historical Dance Symposium, Burg Rothenfels am Main, 15-19 June, 2022, Germany. Conference Proceedings, edited by Uwe Schlottermüller and Howard Weiner, June 2022. Posted (Nov 2024 ) on Shakespeare and Dance Project website: https://shakespeareandance.com/articles/negotiating-text-and-movement/

Monroe, A. (2024) Trobár's first album, Il Dit Elle Dit: Love & Dialogue in the World of Christine de Pizan, received a favorable review in Early Music America Magazine. The review highlighted its "exquisite intonation," "delightful lilt," and "clear," "vital," and "well-balanced" sound, and quoted extensively from Artistic Director Allison Monroe's liner notes.

Medieval music ensemble Trobár just released their first album, Il Dit Elle Dit: Love and Dialogue in the World of Christine de Pizan, featuring Allison Monroe (Artistic Director), Elena Mullins (Executive Director), Karin Weston, and Tis Kaoru Zamler-Carhart. The album is now available on all major streaming platforms or via their website: https://www.trobarmedieval.org/album

Moskowitz, A. ��᳾���������پ��Dz�.”&�Բ�����;Political Concepts: A Critical Lexicon, iss. 7, 2024.

Moskowitz, A. The Racial Economy of Perception: Reading Black Sociality in the Nineteenth Century.” NOVEL: A Forum on Fiction, vol. 56, no. 1, 2023, pp. 1-20.

Moskowitz, A. “Apathy, Political Emotion, and the Politics of Space in Thoreau’s Antislavery Writing.” Criticism: A Quarterly for Literature and the Arts, vol. 64, no. 2, 2022, pp. 139-160.